Posts Tagged ‘mac’

Finally, A Reasonable Set of Lens Recommendations

February 25th, 2010 by Derek
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So, I know it’s popular right now to love primes, especially among hobbyists, but for my money I think guest blogger Chris Folsom over at DPS is on to something when he says the three best lenses for a beginner to own (or anyone, for that matter) are a standard zoom, a telephoto zoom, and a macro prime. He argues that those will cover the bulk of any shooting situation, and then once you’re used to their limitations and what you shoot more you can expand your collection to match your needs,which I approve of. That’s why my kit consists of two mid-grade zooms, a single fast prime, and a Lensbaby.

Most prime fans I know counter with cost, primes are (typically) cheaper than zooms. My counter is that a mid-grade zoom (take my Oly 14-54mm f2.8-3.5 for example), I have marked on the barrel 14, 18, 25, 35, and 54 (that’s 28mm, 36mm, 50mm, 70mm, and 108mm for those of you not used to Oly’s system). That’s five good prime lengths there, and while 2.8 – 3,5 is a bit slow for some of them, it isn’t out of line for others even in primes. So, was it worth 400 bucks for 5 known focal lengths, and the 36 others in between? I think so, which is why always tell friends to get the best zooms they can afford for most of their work and fill in special needs with primes as needed. But, that’s me.

Check out the full post through the link. If you’re reading this on Facebook, jump over to our blog to see said link.



P100, other Coolpix point and shoots announced

February 4th, 2010 by Nick
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Today Nikon announced their refresh for the Coolpix line by adding the P100, L110, L22, and S3000, S4000, S6000, S8000 compacts. The P90 is to cede to the P100, and it looks like it’ll be a doozie of an upgrade. The Nikon Coolpix P100 will have a 10.3 megapixel back-lit CMOS sensor and a 26x optical zoom (26mm-678mm equivalent) Nikkor ED lens. It’ll also be able to churn out 10fps at 10MP, and near 120fps at 1.1MP. No idea how the 3200 ISO setting will perform yet, but maybe you won’t need to use it given the sensor-shift VR system. There’s a host of other software functions to make “minimal user intervention shooting” produce good looking pics. It’s also got a macro focusing distance of .4″, though no word on what the maximum reproduction ratio. Oh right, 1080p HD video is also on the menu.

If you’ve got to use AA batteries and don’t trust this new-fangled back-lit CMOS business, then step down to the L110 and take your pick between black and red. Your glass is 15x optical from 28-420mm (equivalent), supported by sensor-shift VR image stabilization and a max ISO of 6400. It also has the first ‘cyanotype’ color setting I’ve seen a manufacturer brag over. Ta da. It takes 12.1MP stills and 720p HD video (at 30fps).

The other AA offering is the L22, weighing in at 12MP with a modest 37-134mm equivalent focal range. The L22 has a ‘Big, Bright 3.0-inch LCD’ with an anti-glare coating and a maximum ISO of 1600.

The 000 (Tri-aught?) range of Coolpix this time around are the S3000, S4000, S6000, and S8000. The S3000 (for Style yeah) wields 12.0MP, a 27-108 equivalent focal range, a 2.7″ LCD, some firmware functions to correct for red-eye, florid, staggering friends who neither smile nor cease blinking, and a maximum ISO of 3200.

Next up is the S4000, which looks to succeed the S230 and put a 3.0″ touch screen in your hot, little hands for things like touch-shutter (which sounds like an alt-rock band who should be opening for Toad the Wet Sprocket) and touch-AF. Beyond that it records 720pHD movies, and sidles on up to 3200 ISO. It also has a cyanotype color mode.

The S6000 appears with 14.2MP, a 28-196 equivalent Nikkor ED glass lens, and spits 4fps for up to 45 frames in Sports Continuous mode. It also features the “make your friends look good without trying” firmware functions.

The S8000 crowns the Tri-Aught sorority with a 14.2MP sensor, 10x optical zoom with Nikkor ED glass (starts at 30mm equivalent), a 3.0″ VGA display at 921,000 dots, and Optical VR Image Stabilization and a close focus distance of .4″ in Macro mode.



Canon Hits 50 Million EF Lenses

January 30th, 2010 by Derek
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So, Canon has announced the production of its 50 millionth EF lens. I was surprised at this—Nikon did celebrate 50 million first, despite Canon being a larger company—until I remembered that Nikon was celebrating the F mount, which they’ve never abandoned, but Canon’s only been running on the EOS/EF mount for some 20ish years, having used the wildly different FD mount before. So, congrats, Canon, on this your newest milestone, and hopefully many more to come.

Oh, and that 50 millionth lens? It was one of the new EF 100mm f 2.8L Macro IS USMs. Just for the record.



Sony A450 Not Doing US Tour

January 21st, 2010 by Derek
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Sony Alpha A450

Much like the best death and black metal bands, the Sony A450 mysteriously announced at CES but nowhere else is slated for a probable Euro-Asian tour, but not a US one. Citing immense similarity with the A500, the nearly-identical A450 is opting not to over-saturate the American Alpha market.

Me, I think it’s fear. The A450 knows in its little Bionz heart that the A500 would be stiff competition at any price point, and a truly impressive imaging machine.



The Voice of Raw Returns, 40% More Rambling Guaranteed

January 15th, 2010 by Derek
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So, the last couple months were a bit rough around here, and I didn’t have time to pull Nick away from his other duties long enough for us to cut our usual Voice of Raw podcasts. But, it’s the post-Christmas lull right now and we’ve missed the sounds of of our voices as we obstensibly tell you what’s up in the camera world.

So, we’re back…TA-DA!