Posts Tagged ‘d3’

Nikon D3s firmware now v1.01

February 23rd, 2010 by Nick
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From Nikon’s Firmware update page:

The following improvements have been made in A and B firmware Ver. 1.01

  • Movie recording specifications have been modified as follows and an issue that, in some rare cases, caused movie playback to appear to have stopped has been resolved.
  • When exposure preview is enabled in live view tripod mode, information + histogram display is possible, but the histogram is no longer displayed while movies are recorded.
  • When the live view button is pressed with the Audio Video Cable EG-D2 connected, the image is displayed in both the television and camera monitor, but the camera monitor now turns off during movie recording. The camera monitor turns on again when the Audio Video Cable EG-D2 is disconnected from the camera.
  • Some simplified Chinese menus and help displays have been revised.
  • When some memory cards were inserted in the camera, “CHA” was displayed in the top control panel and images could not be captured. This issue has been resolved.

Woo hoo. As always, check your current firmware version prior to downloading and installing the update because if it ain’t broke…



Nikon Updates Firmware For D3x, D3, D700, D300s

January 6th, 2010 by Derek
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Nikon issued a buncha new firmwares, apparently to support those new boffo 64GB cards that’re starting to trickle out (like this one, maybe?). Anyway, I found this news at DPReview, and they have it laid out the best for getting ahold of those, so rather than reinvent the wheel I’m just going to float them some traffic and send you there to grab those. Just to remember to come back to us when you need the cameras themselves, k?



It’s The Future: More DSLRs, IN SPACE!

December 22nd, 2009 by Derek
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nasa-d3sIt’s the future, people. How can I tell? I can tell because we keep sending cameras I can actually buy into space!

Firstly, I remember right after buying my Olympus E-3 (I call it “Leon”) that Olympus sent some E-3s and lenses into space in a joint effort with JAXA. They’re now part of a project on the international space station.

Then, some enterprising MIT students sent a Canon Powershot A470 into shallow space in a cooler. A friggin’ cooler!

And now, our very own NASA is upgrading it’s D2xs to Nikon’s new standard flagship, the D3s. Imaging Resource has a press release saying they’ve ordered 11 of’em. So take that, naysayers and fence-sitters, whether or not you feel the D3 was as big a refresh as you’d expected, it’s big enough to convince NASA. And they shot the moon with a rocket, so you know they need their toys to be tough.

Now, since it’s now the Future, where are my moving sidewalks? Come on already!



DPReview Takes on Nikon D3000, Canon G11

December 18th, 2009 by Derek
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Canon PowerShot G11

Canon PowerShot G11

See what I did there? That’s right, I put one camera from each of the two biggies into the very post title! Boom!

Anyway, this is slightly dusty news at this point, but DPReview has finished pushing these two cameras to their limits and reporting back on where they falter and where they succeed. So, if you’re the sort to put more emphasis on studio tests and sharpness charts, why not trot over there and give’em a read (I’d say quick, but at 20+ pages per the only quick way to read them is to read the first two and then the last page for each. No, really, try it sometime.)

Nikon D3000

Nikon D3000

If you prefer your reviews a little less technical and little more oriented for day-to-day and snapshooter use, both of these have been reviewed by Jeff over at the equally venerable DCResource as well.



2009 Holiday Shopping Guide: Image Stabilization

December 3rd, 2009 by Derek
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2009-holiday-shopping

Well everyone, it’s that time of the year again. Christmas (and other winter holiday) shopping. And, like last year, we’re back to help. Not necessarily by just pushing the products we want you to buy (D3s, 7D, *cough cough*), but by giving you useful, more sweeping tips to make you a more savvy shopper, able to sift through the seas of numbers, specs, and options available.

OK, ok, we’ll probably plug a specific product or two as we go along. We sell camera equipment, it’s what we do, you know?

But, let’s start with a simple one: image stabilization.

Image stabilization is known by many names (basically a different one for each manufacturer), but is ultimately down to the same idea. Some of the more common names for this technology include:

  • Image Stabilization (IS)
  • Vibration Compensation (VC)
  • Vibration Reduction (VR)
  • SuperSteady Shot
  • And many more

So, what does it do? Well, when you hold a camera, it’s subject to slight trembles and other shakes from your hands. These are natural, and how bad they are depends on your age, physical condition, grip, stance, camera, and more. But, what is means without fail is that at longer exposures, the natural movements from your hands will move the camera a little, and make pictures look less sharp.

There are three ways image stabilization works: electronic, optical, and in-body. Of those, you should only ever choose optical or in-body. Those two help reduce shake using complicated gyroscopes that shift elements to counter for your hand shake. Electronic stabilization, however, works by simply pushing your ISO up, which introduces grain and noise and color shifts, and in general trades one problem for a different one.

Also, because it just counters your movement, image stabilization doesn’t change exposure. In low light, you will still need longer exposures which means moving subjects will still have motion blur. But, if you’re shooting largely stationary subjects, or family portraits around the Christmas tree, image stabilization will help keep your shots crisper. Recommending a camera or lens with image stabilization over one without is easy, we’ll recommend it every time.



Lexar Announces own 600x UDMA CF

October 21st, 2009 by Nick
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Around the end of the month, Lexar will be keeping up with the neighbors and releasing 600x speed CF cards in 8, 16GB sizes with 32GB on the way later. They’ll be shipping with a new ExpressCard reader that supports up to 133 mbps transfer speeds when slotted into a Mac or PC’s, ahem, express card slot.

With the D3s sporting a 48 RAW image buffer, the 5D Mark II, 7D, and 1D Mark IV all featuring HD video in varied frame rates and the 1D Mk IV shooting ten stills a second- high speed data transfer will obviously not go out of style any time soon.



Canon’s New EOS-1D Mark IV Gets Real

October 20th, 2009 by Derek
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eos-1d-mark-IVCanon this morning in the wee hours when I was decidedly not awake announced their newest pro body, the long-awaited EOS-1D Mark IV. It’s direct predecessor, the Mark III, had just been announced before I hired on here at Roberts, so the announcement of the Mark IV is something of a milestone for me, personally.

Now, getting past the sentimentals, here’s what you need to know:

1. The Mark IV continues the tradition of the 1D line in using an ASP-H sensor with a 1.3x crop factor. The full-frame chips remain a hallmark of the studio-oriented 1Ds line, and of course the 5D series. It’s up now to 16.1 megapixels, and keeps dual-processors (now the DIGIC IV models).

2. It has an all new 45-point autofocus system (39 of which become the more accurate cross-type points with an aperture of f2.8 or wider). Did we  mention it’s all new and reportedly exhaustively field tested?

3. Canon is showing a rare conservative streak, and the continuous shooting mode is throttled back to 10 frames per second (versus the blistering 14 of its predecessor).

4. 1080p video. Really, were you expecting them to leave this out after the 5D Mark II, Rebel T1i, and 7D all got it? If you were, shame on you. If you weren’t, ta-da! HD video for everybody!

5. Expanded ISO. The Mark IV sport an expanded ISO range of 100 – 102,400 (which seems somehow familiar)

Those seem to be the key points, a lot of it is the stock stuff you’d expect from a camera at this price point. It keeps the 3″ 920,000 dot LCD, build, 1/300s EX shutter sync, 100% viewfinder, you get the point. Continuing the trend started with the EOS 7D, Canon’s announced a new wireless file transmitter for this beastie (and one for the 5D Mark II, too), for those of you who dig sending photos straight to a computer.

I shouldn’t have to say Get On Our Wait List Today, but it looks like I just did.



The Voice of Raw, Episode 10

October 19th, 2009 by Derek
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Audiocast Icon (Good)0:22 – Fotorosa

1:12 Nikon D3s

3:37 – Sandisk Extreme, Extreme Pro

5:23 – Nikon AF-S 85mm DX Macro

6:24 – Lensbaby Props

7:00 – Facebook Fan Shoutouts



Nikon Announces D3s Pro DSLR with 720P Video

October 14th, 2009 by Derek
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d3sRight around two years ago Nikon shook up the camera business when it announced it’s first full-frame DSLR, the D3. Focusing on overall image quality and low-light performance instead of the then-popular (well, more so than now anyway) megapixel race, the D3 came out with a higher megapixel count then previous models, but nowhere near the count Canon and Sony were gearing towards. And it paid off, Nikon carved out a strong following of people who loved the low-light performance and the amazing speed the D3 offered.

Now, in 2009 Nikon is taking a less revolutionary tack, opting to revise and improve the already highly critically reviewed D3 with the new D3s. Introducing some reported tweaks to a new 12.1 megapixel sensor, sporting a boosted ISO range fro 100 to 102,400, a 720p HD video mode, and an increased buffer (now holding 48 raw files vs 18 in the D3), the D3s doesn’t tweak much else. The body design, LCD, and most of the specs remain as they were. But, put it to yourself, with how solid the D3 was at what it aimed to do, what else could you ask for but some intelligent revisions to an already stellar camera?



New Product: Nikon Coolpix S1000PJ IN STOCK NOW

September 25th, 2009 by Nick
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Coolpix S1000PJ

Coolpix S1000PJ

In what situations will a tiny LED projector built into your Coolpix be useful? Here’s a few I can conjure:

1.) Massive In-Person Multi-User Chimping -two kinds
First: Set your D300s to shoot RAW to the CF slot and JPEG to the SDHC slot and shoot a while on your project, stop long enough to swap the SDHC card into the PJ and review your work with your assistants and models using the included remote control and plastic stand and durn near any available wall.

Second: Line up your folks, their folks, and all the running progeny long enough to get a group shot before they get food all over their nice, holiday clothes then keep taking pictures until everyone’s too loaded on tryptophan and football to complain when you shut off the lights and set up the PJ for everyone to enjoy.

2.) Presentations: Since various office softwares can save presentations as JPEG images and the S1000PJ can display any JPEG image on the SDHC card, create your slideshow and save it down as a numbered series of JPEGs, load them on the SDHC card and you’ve a presentation in your pocket.

A variation: Touring a production line take your reference shots, makes your notes, and you now you have an instant visual aid to your meeting or presentation.

3.) While waiting for the rescue helicopter turn on the projector and point it at the sky -all 10 lumens might be the difference between getting eaten by a python and getting spotted.

Scoot over to our page on youtube to check out our Raw Footage installment on the PJ.

We’re expecting soon to see a hands-on review of the S1000PJ from Carel Struycken. In the mean-time, I’d like your commentary on the uses of the PJ.