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Nikon 70-200mm VR II Gets Thouroughly Reviewed


AF-S NIKKOR 70-200mm f/2.8G ED VR II

So, Nikon’s new top-pro standard telephoto zoom, the AF-S Nikkor 70-200mm 1:2.8G ED VR II, has been reviewed by the venerable review staff over at DPReview. The conclusions are so unsurprisingly positive as to be pedestrian, but they’ve got their really useful sliding charts for sharpness at all focal lengths and apertures, so that’s worth checking it out alone.

If ya wanna read it yourself, your hyperlink chariot awaits: http://www.dpreview.com/lensreviews/nikon_70-200_2p8_vrii_n15/



ThinkTank Announces Two New Hydrophobias

Hydrophobia 70-200

So, we got this in our mailbox dated for yesterday:

Santa Rosa, Calif. – Following up on the acclaimed Hydrophobia™ 300-600 rain cover for larger lenses, Think Tank Photo announces the release of two water-resistant, seam-sealed rain covers for 70-200 and smaller lenses: the Hydrophobia™ 70-200 and the Hydrophobia™ Flash 70-200 with built-in flash protector. Featuring side arm holes for focusing and accessing switches, they allow DSLRs to be turned vertically. And now, without exposing their expensive bodies and lenses to the elements, photographers can change memory cards and batteries without taking off the rain covers.

The key feature is that the camera strap attached to the camera does not have to be removed. There is a camera strap attached to the Hydrophobia 70-200 that, combined with a strap that buckles under the lens, allows the camera to be carried by the rain cover.

Hydrophobia 70-200 Flash

“The problem with other covers is that holes have to be cut into the top of the cover, and then using a special camera strap, the user has to unclip the camera strap from the camera, feeding it through the top of the cover,” said Doug Murdoch, Think Tank Photo’s CEO and lead designer. “With the Hydrophobia 70-200, we eliminated this problem by creating a system that automatically transfers the weight to the rain cover itself, while still keeping it water resistant.”

The fabric used on the Hydrophobia is ten times as water resistant as normal fabric. Instead of a “spray” coating, a “film” is applied to the underside of the fabric, as well as a

tricot mesh to protect it, making it a far more impenetrable three-layer fabric. In addition a waterproof tape is applied to all seams, providing an even more water resistant barrier.

The rain covers have the following key features:

  • A clear window for viewing LCD and controls
  • A fabric cover for the end of the lens.
  • An eyepiece storage pocket (eyepieces sold separately)
  • A detachable camera strap
  • A breathable mesh bag for transportation and storage

For professionals and amateur SLR shooters with smaller lenses who can’t afford to lose a shot or to have their gear damaged, the Hydrophobia™ 70-200 and the Hydrophobia™ Flash 70-200 are powerful new tools for getting the shot in even the harshest conditions.

The 70-200 will debut with a recommended price of $139.00, the 70-200 Flash with a price of $145. Roberts reminds you that to use any Hydrophobia properly you’ll need a special eyepiece also from ThinkTank for your camera.




Nikon’s Pro Constant Aperture Zooms Now At Sheet, Better Hurry

So, Nikon’s pro zooms, you know the ones– the big, black, AF-S G series lenses with f.2.8 constant apertures that form the backbone of many a working professional’s kit, the 14-24mm, 24-70mm, and 70-200mm II. Well, we got all of them marked down to sheet, you pay what we pay and nothing more (literally, if you buy online to get our free ground shipping). But, they’re only on the cheap until the 28th, so, uh, hurry.

AF-S NIKKOR 14-24mm f/2.8G ED

AF-S NIKKOR 24-70mm f/2.8G ED

AF-S NIKKOR 70-200mm f/2.8G ED VR II



SLR-Gear Reviews Canon 70-200 f4 IS and Olympus E-520 IS

SLR Gear, the reviewing arm of Imaging-Resource for things other than bodies, has apparently begun reviewing IS systems. So far, they’ve hit Canon’s budget L classic, the 70-200 f4 IS, and Olympus’ rather successful E-520 with its in-body IS. Two different IS systems, both toting great and wonderous amazing things. Their conclusions? Neither live up to their full marketing hype, but both seem to do the job they set out to do admirably nonetheless, pulling up to 2.9 (let’s call it 3) stops of sharpness back.

Again, we’d like to remind those of you without much IS experience that it works by countering for how your hands naturally shake at long expsures, IS can’t restore sharpness lost to moving subjects at long shutter speeds. Its use in low light is primarily architectural, if you’re looking to shoot parties and bars you’ll still need higher ISO, faster lenses, or a good flash gun.

Read their findings and whitepapers on IS testing here: http://www.slrgear.com/articles/index.html




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