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› archive for June, 2011

Olympus Rounds Out Pen Announcement With Two Long-Awaited Metal Lenses and a New Flash

Finishing off the Pen extravaganza Olympus seems to be throwing today are a pair of metal-clad “professional” primes for the Micro Four Thirds system that Olympus has been promising for some time, and a new flash unit.

 

The lenses are the M.Zuiko Digital 12mm f2 ED and the M.Zuiko Digital 45mm f1.8 ED. Both feature Oly’s MSC tech which’ll make them better for video focusing than the first generation M.Zuiko lenses were, and the elegant looking metal construction gives them a bit more of a serious air than the other lenses as well. With Micro Four-Thirds’ 2x crop, their effective field of views will be 24mm and 90mm respectively, making them good choices for street/landscape work and portraits. Also respectively.

The flash is the FL-300R. The R means this works with Olympus’ remote flash system, and can be controlled by many on-board flashes as well as older models like the FL-500R. It’s got a GN of 19m at ISO 100, and has a pretty decent tilt range, but no swivel. It also sports what I’ll forever consider the traditional “tourist” aesthetic.

The 14mm will run around $800, the 45mm around $400, and the flash around $160.



Olympus Adds New Pen Line with Pen Mini E-PM1

Finishing out Olympus’ announcement of three Pen bodies today is the new “Mini” line, which since it’s the first year for this gets called the E-PM1.

All of the bodies feature the same basic guts and are differentiated by body and control options instead. Not to say that’s a bad thing. While the sensor sticks at the same 12ish megapixels that Olympus thinks is the sweet-spot for these types of cameras, the processor has been upgraded to new TruePic VI processor, and the AF has been improved with a new Frequency Acceleration Sensor Technology (FAST) system. And by “improved” I mean I’ve heard tell it can check AF 120 times a second and Olympus is already talking about it rivaling many DSLR AF systems. There’re 35 AF areas, and you can group them into 3×3 areas for tracking active subjects.

Other features across all models include ISO support up to 12,800, 1080i HD video, three-mode in-body Image Stabilization, the most effective dust-reduction system I’ve ever used, multiple aspect ratios, multiple exposure, and the Pen series’ infamous Art Filters.

The E-PM1 sits as the most consumer/point-and-shoot step-up oriented of the three brothers. The controls are pretty minimal compared to the two models above it, and the reward for that is that the body is right about the same size as Olympus’ fairly tiny XZ-1 compact.

So,what’s the difference between this body and the next step up, the E-PL3? Well, luckily, the advanced hotshoe port isn’t one of them. It’s still sitting there, inviting you to use the external viewfinder or nifty macro light Oly makes for the Pen bodies. Three more buttons (delete, zoom, and Fn) have disappeared, as has the mode dial. The screen is back to being fixed, and is downgraded to a more pedestrian 460,000 pixel LCD. It’ll be available in a bunch of colors: black, white, silver, red, purple, and brown. For a shot around back and the press release, hit the jump.

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Olympus E-PL3 Fills Out Middle Of New Pen Line-Up

So, continuing Olympus’ Pen revival today we come to the middle body, the Pen Lite E-PL3. Which of course replaces the E-PL2 in the line-up.

All of the bodies feature the same basic guts and are differentiated by body and control options instead. Not to say that’s a bad thing. While the sensor sticks at the same 12ish megapixels that Olympus thinks is the sweet-spot for these types of cameras, the processor has been upgraded to new TruePic VI processor, and the AF has been improved with a new Frequency Acceleration Sensor Technology (FAST) system. And by “improved” I mean I’ve heard tell it can check AF 120 times a second and Olympus is already talking about it rivaling many DSLR AF systems. There’re 35 AF areas, and you can group them into 3×3 areas for tracking active subjects.

Other features across all models include ISO support up to 12,800, 1080i HD video, three-mode in-body Image Stabilization, the most effective dust-reduction system I’ve ever used, multiple aspect ratios, multiple exposure, and the Pen series’ infamous Art Filters.

The E-PL2 was the bottom of the Pen line, but this new E-PL3 moves up to the middle of the line. Either way, as you’d expect, there are some things the bigger bro has that this model doesn’t. The E-PL3 has a smaller, slimmer body than the E-P3, and will come in black, white, red, or silver. The built-in popup flash (although a small external one is included in the box) , secondary control wheel, and dedicated EV comp button are gone, leaving a more point-and-shoot feeling control scheme using a combined four-way controller and jog wheel. The touchscreen is gone, and the resolution is down to 460,000 dots, but it’s still OLED. And, to ease the sting a little, the E-PL3′s screen is articulated, although tilt only. No swivel here, loyal fans of articulated displays.

It’s worth pointing out real quick that while the controls are simplified, the Pen series is now in its third year of looking absolutely gorgeous in all its incarnations. Check out more pics of the Pen Lite E-PL3 and the press release after the jump.

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Olympus Updates Pen Line With E-P3

Olympus announced three cameras in its Pen series of interchangeable lens compacts today. Two are replacements for existing models, and one is a new ultra-compact to compete with the increasingly tiny Sony NEX series and Panasonic’s new smaller GF bodies. All of the bodies feature the same basic guts and are differentiated by body and control options instead. Not to say that’s a bad thing. While the sensor sticks at the same 12ish megapixels that Olympus thinks is the sweet-spot for these types of cameras, the processor has been upgraded to new TruePic VI processor, and the AF has been improved with a new Frequency Acceleration Sensor Technology (FAST) system. And by “improved” I mean I’ve heard tell it can check AF 120 times a second and Olympus is already talking about it rivaling many DSLR AF systems. There’re 35 AF areas, and you can group them into 3×3 areas for tracking active subjects.

Other features across all models include ISO support up to 12,800, 1080i HD video, three-mode in-body Image Stabilization, the most effective dust-reduction system I’ve ever used, multiple aspect ratios, multiple exposure, and the Pen series’ infamous Art Filters.

The E-P3 sits on top of this new line-up as the flagship. It looks largely like the E-P2 before it, so, no surprises there. It’s still got a bunch of physical buttons and a mode dial, and it has the advanced hotshoe port to support the external viewfinder or the nifty macro light. In enhancement news, the grip is now removable via a thumb-screw mechanic, so you can use it or not as suits you. Also, the 3″ OLED display is up to 614,000 dots resolution and is touch-enabled, including touch to focus. The E-P3, being the top of the Pen line, also has a built-in flash, for what that’s worth to you out there. Looks like it’ll come in black, silver, and that cool retro white and tan that I continue to love so much. For more pictures and the full press release, hit the jump.

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Nikon P7000 Photo Walk Full

Well! Just in time for the event itself tonight, we’ve got all our open spots for tomorrow’s event filled up. More people are welcome to come join us and shoot with whatever you like, but we can’t guarantee we’ll be able to loan you a P7000 to try (and for those wanting to enter the special photo contest, all entries do have to come from a P7000, that’s how it is). For everyone who did get a reservation in, we’ll see you tomorrow at 6pm, Holliday Park, we’ll meet out in the parking lot area and figure things out from there. Be sure to bring your own SD cards for use in the cameras, yeah?



Fuji X100 Gets Massive Firmware Update

So, if you’ve so far been lucky enough to get ahold of an X100 (which are currently more rare than gold-plated unicorns and more clamored after than a Scarlet Johansson sex scene), today’s you’re even luckier day: there’s a new firmware. A new firmware with 22 fixes. 22 fixes and a bad onset of Engrish in the press release. But, 22 fixes nonetheless.

If you want the firmware update, hit the link below. If you want to read through the roughly translated list of changes first, hit the read more button to see the press release. If you’d just like to get your hands on one at all, don’t worry, you’re not nearly alone.

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This Is Why You Buy From Authorized Dealers

Just in case you ever wondered why prices for things sometimes seem a bit higher for camera gear at authorized retailers like Roberts, the internet and Mansurovs Photography are here to provide you with an example of what can happen when you buy from the shadier end of the spectrum. There’re some real gems in the transcript, though. I rather like the below passage myself as the “customer” attempts to buy a 5D Mark II:

Mark: And the battery, you want to get the battery as well?
Me: Uh, doesn’t it come with a battery?
Mark: It comes with one battery, which is only 35-40 minutes, so I would definitely recommend getting one of the extended life batteries.
Me: What do you mean by 30-40 minutes?
Mark: It is a short battery, it is not a long-life battery. You need to buy the extra one, the long one.
Me: So when you say 30-40 minutes, it is for taking pictures or video?
Mark: Both of them. When the screen is on or anything, it cuts down very short (yawns).
Me: Oh, so the one that comes with the camera only lasts for 30 minutes?
Mark: Yeah. Then you have the two hour which is $129 and a four hour which is $169.

Read the full story about how this conversation came to happen and the rest of the comical (and terrifying) sales escalations at the link below.



GOOD TIMES WITH BAD FILTERS

The following is reposted from LensRentals.com by permission of the original author, Roger Cicala. Visit their site for more article and posts about a variety of photographic subjects, it’s all well-worth the read.

-Roberts

OK. First and foremost this is a fun post. It is not episode 362 of “Should you put a UV filter on your lens”. Some people use them. Some don’t. There’s not enough bandwidth to ever end that argument.

But here at Lensrentals, we have a ton of filters. We have some really good, very expensive filters. We have some OK, middle of the road filters. And because some customers, uhm, happen to return a very cheap filter in place of the one they were sent, we’ve obtained some crappy filters. Brand names aren’t necessary. If it cost $22 in 77mm size, it’s a crappy filter.

Anyway, one of the techs has to clean all those filters, make sure the threads are OK, and test them out. Honestly nobody likes to do it, so it gets put off until we need some filters or there’s just nothing else to do. So the other day Kenny is cleaning filters and testing the threads by mounting them one in front of the other until he made a nice mountain of 50 UV filters.

50 UV filters, cleaned and neatly stacked.

Not being the kind of people to let well enough alone, we decided to mount them to a 5D Mk II and 300 f4 we had handy and take a few pictures.

The well protected lens.

And of course see if the filters affected image quality. See if you can tell which images was shot with the 50 UV filters, and which without:

Shot of the building across the parking lot without filters (above) and with 50 UV filters (below). The one with the filters is actually better than I expected.

Of course there’s a lot of vignetting and haloing on the full size image:

Compared to no filters

Roger, do you have anything constructive to say, or are you just wasting blog space again?

Yes, actually I do. Fifty filters stacked is pretty ridiculous. But in that stack of 50 filters, as I said, there are some very good ones and some very bad ones. Lets compare a stack of each, shall we?

First, I had Kenny put the worst filters on the top of the stack (all were nonbrand, or brands we know are cheap and bad) and take a picture of the stack at an angle. All were freshly cleaned and if you look straight through them reasonably clear. Like a filter should be. But if you stack them and try to take an angled picture through several layers of them, the results were ugly.

View through a half dozen cheap filters stacked on top of each other. Try counting the filter rings inside the stack.

Yes, I know they don’t look clean in the image, but every one of those filters was freshly cleaned, and checked under a light. And if you look straight through them they were pretty clear. Looking at an angle tends to show you the weaknesses of a filter much better than looking straight through it. And remember: most of the light rays coming into the lens are coming in at an angle, not heading directly to the sensor in a straight line.

Now lets compare the stack with the expensive, top of the line filters (B&W, Heliopan, etc.) stacked the same way.

Stack of expensive UV filters one atop the other.

Hmmm. I’m starting to think there might be a difference here. But the proof is in the pudding. Lets modify our original experiment to something only slightly ridiculous. Instead of shooting through 50 filters, lets take the shot through 5 top of the line filters and another through 5 bottom of the line filters.

Here’s a 100% crop of a bumper sticker across the parking lot shot first with no filter, second with 5 stacked high end UV filters, and then with 5 stacked low grade UV filters.

100% crops of a bumper sticker shot through no filters, 5 stacked good UV filters, and 5 stacked cheap UV filters.

Now stacking 5 filters doesn’t have a ton of real world implications. Most people rarely stack two. But it is a fun demonstration that there really is a difference between good filters and cheap filters.

The good filters do a remarkable job: 5 stacked filters means 10 air-glass interfaces before the light even gets to the lens. That there’s only a little bit of image quality loss through all those filters is pretty impressive. This crop is from the center of the image, there’s more degradation to the sides, but still, it’s an impressive performance. And certainly lends credit to the idea that a high quality, multicoated UV filter has little effect on image quality.

Five bad filters, though, is another thing entirely. I’m completely aware, for those of you who are going to feel the need to point out the obvious, that nobody shoots with 5 UV filters. And I understand that one cheap UV filter wouldn’t have nearly as bad an effect on image quality as 5 of them. But I don’t think you can disagree that the good (and expensive, I know) filters have much less effect on image quality than the cheap filters.

BTW – before anyone asks, I avoided name brands of cheaper filters for a reason: many filter manufacturers make both pretty good, and pretty bad filters. You can tell the difference by the price or by reading carefully about the number of coatings, etc. A Tihoya $29 “high quality” filter is not the same as a Tihoya $79 “Professional” filter. This wasn’t meant to be a filter review, just a fun demonstration of the obvious.

Roger Cicala

Lensrentals.com

June, 2011



Leica Refreshes M9 Rangefinder with M9-P

Leica has today announced a small refresh to its M9 rangefinder in the form of the M9-P (P for Professional, kiddies.) Not much is new, it’s mostly the same M9 you know and love, but they’ve added that sapphire crystal coating that was optional on the S2 to the LCD, and the top plate is now free of that infamous red badge, leaving the engraved name on top the only visible branding. Unless you count the trademark body design that’s mostly unchanged after several decades. But I digress.

Like the M9 before it, the M9-P will be available in matte black or silver (chrome, actually), and you can preorder yours now.



VR II vs VR II: Too Many Twos

Photo By Nikon USA

This is a topic of some real concern among a lot of our customers, and it’s not adequately explained by Nikon anywhere, so, we’re taking it upon ourselves to help make sense of this Nikon VR II nonsense that’s confusing so many people.

Here’s what’s happening: Nikon has recently started making revisions to some of its most popular lenses, and so far exclusively to popular lenses featuring its VR technology. Thus, something like the AF-S 70-200mm f2.8 IF-ED VR gets an update and becomes the AF-S 70-200mm f2.8 ED VR II. The II at the end is added to indicate this is the second version of the 70-200mm VR lens. Makes sense.

The fly in the ointment is before Nikon started updating these lenses, it quietly and less publicly revised its actual VR system used in all VR lenses. The new system offers a theoretical 4 stop advantage, while the original VR system could only promise 3. What did they name this new, improved technology? Why, VR II, of course.

So, what you end up with is this odd scenario where all current mark II lenses use the new and improved VR II technology, but there are a good number of lenses that use VR II technology for their first revision. Since the mark IIs are so well-reviewed, there’s a lot of excitement when a lens becomes a “VR II.” And a lot of ensuing confusion when it’s just the second-generation tech, and not a second-generation VR lens.

Still confusing? Fair enough. Let’s take a look at a sample Nikon product page here and break it down. In the graphic below, I’ve highlight the key things to note. The name of the lens series is highlighted green. The current revision of that lens series is highlighted reddish-pink. Any mention of the second generation VR technology giving you 4 stops instead of the old 3 stops is noted in blue.

Now, if you look, what you’ll notice is this:

  • If the “II” appears in the Product Name, it indicates it’s the second version of a lens that happens to have VR tech.
  • If the “II” appears in the Description, it indicates that it uses the 4 stop second generation VR technology.

Since we’re all about helping out, I went through the current selection of 24 VR-enabled lenses Nikon offers and figured out which ones use which technology, and I present the results to you below.

 

VR - Nikon VR (Vibration Reduction) Image StabilizationVibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 3 shutter speeds slower than would otherwise be possible, assuring dramatically sharper still images and video capture.

VR II - Nikon VR II (Vibration Reduction) Image Stabilization Vibration Reduction, engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper still images and video capture.

Notice that both revisions of the 300mm VR use VR II tech, despite only the newer being named VR II. That’s why this distinction is important to understand, right there. to review:

“VR II” in a Product Name means the second version of a VR-enabled lens

“VR II” in any Description or Spec means second-generation VR technology offering 4 stops advantage instead of 3.

We hope that helps.




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