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› archive for September, 2010

Photo Contests Are Moving To The Blog!

Why, hello you handsome devils and lady devils. We’d like to take this moment to apologize to you the disarray of this, your beloved Monthly Photo Contest, the past couple months. Not to let the cat out of the bag here, but the problem is we’ve been spending a lot of time working on moving to an entirely different website, and some things have been falling through the cracks.

The good news is, as part of that transition, we’re going to start moving the photo contest entirely over here to Roberts Raw! Over here, you’ll be able to view all the previous contests in that new Polaroid-style viewer we started with August’s contest, and uploading to the current contest will continue to be much, much simpler than it has ever been before. Also, you’ll be able to see the winning pic right on the gallery pages going forward, no more separate sections!

Plus, since you’ll be on the blog anyway, it’ll be easier for us to announce the winners, even if we don’t quite have time to update the pages, and be more certain you’ll see it.

We’ve got last month’s contest and the new one up already, and we’ll be getting the 21 other contests up over the next couple weeks. Please be patient with us as we transition, we haven’t forgotten you, but we really do run this contest on our spare time just because we love seeing all the pictures, and sometimes it takes us a moment to get the time to update things. We’re sorry. Also, August’s winner can’t be announced until our judge gets back from vacation next week. We haven’t forgotten that either.

So, dear photo contest entrants, please bookmark us at http://blog.robertsimaging.com, because this is where it’s going to be at.

Strength Through Diversity

The theme for September is “Strength Through Diversity.” September’s a time of transitions, not summer, not fall. There’s hot days, cool nights, green trees and cicada husks. The kids are going back to school, college students roam campuses, and all-in-all it seems like a good time to step back and appreicate how rich and diverse our lives really are. This month, we want you to stop and examine the complexities of your life, and the different influences that affect you, and figure out how they make you a different or better person.

As always whenever we use such a broad theme, we’re looking for the most original and meaningful shots to win. Take some time and really think about how you find strength through diversity, and make us the best image you can from that. This theme has the potential to move us, and we want to be moved.

Submissions will remain open until October 1st. Good luck!



Canon’s New XF100 and XF105 Camcorders Are Professional, Also Small

If you’re a pro in the market for a new camcorder, you might be interested in Canon’s newest announcements. The nearly-identical twins known as the XF100 and XF105 claim to be Canon’s smallest pro cams to date, and still feature the XF codec from the XF300 and XF305 (for those who’d forgotten,  that’s an MPEG-2 4:2:2 50Mbps video codec, it is). Both models record to hot-swappable CF cards, 10x Optically Stabilized HD zoom lenses, DIGIC DV III processing engines, infrared low-light recording, and features to help align two of them for use in recording ridiculously high-quality 3-D footage.

The two models are differentiated merely by the XF105 having HD-SDI output and genlock in/SMPTE time code terminals.

You can read Canon’s full press release after the jump.

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Better Than Daylight


I do a fair amount of higher ISO rated shooting with my photography these days and there is no doubt that the capacity to which we are capable to shoot this way has literally changed the realm of photography.  Its a game changer as much as roll film or Polaroids or the advent of digital photography.

Camera sensors are rated for a range of sensitivity and my Nikon D700 shoots from 200ISO through 6400ISO. Then you have the option of pushing beyond the sensor’s ratings into “High ISO” or, essentially, push processing (remember that?).  Push processing was rating film at your camera for underexposure then “pushing” the film back to its original rating during the processing of the negatives. This was tricky to get just right, unless you did the math.  Let’s be honest though, the math sort of ruined the fun and sometimes I’d rather just guess and see what came out the other end. This was akin to shocking your film with a cold water rinse just before the fixing stage or cross-processing chromes in color chemistry. All these options, with so much left to the unknown, often resulted in undesired results, but every once in awhile strange and happy photographs would greet you on the other end.

I know a lot of photographers that wont budge over 800ISO on their fancy pro DSLRs.  Three years ago I was more inclined to agree with them as the loss of detail through noise reduction or the overwhelming amount of noise produced in the image made it near impossible to see what was what.   Put simply, as a photographer, all we do is chase the light around.  Today, however, if you’re not venturing down the higher ISO road, you’re missing out on some great light.

I love night photography.   The color cast from lights at night are anything but normal.  The strong shadows and eerie light patterns are a draw to my photographic eye. Normally higher ISO ratings aren’t a necessary tool with night photos, a sturdy tripod is, however, a must have piece of equipment.  My daily tripod is the Manfrotto 3021BPro which is the earlier version of the 055XProB.

The image above (click for a larger view) was shot without a tripod because I can’t find my quick release plate for my tripod head.   I know, I know… =/  so the thought enters my head, lets see what light is out there.   With my D700 and my 70-300VR lens hand-held (lens hood pressed against a glass door) I looked across the backyard, dialed the ISO to High 2 (25,600 ISO, this is two stops above 6400 with each stop acquiring two times as much light), set the aperture to f/11 (the sweet spot on that lens) and the shutter speed to 1/2 seconds.  This metering set is equivalent to 200 ISO, f/11 at a 60 second exposure time (shutter speed).  Keep in mind VR in your lens can compensate the same 2-3 stops regardless of what shutter speed you start from.   I braced myself against the back of a chair for a little extra stability.

B/W picture control was set at the camera. The image was processed through Nik Capture NX2 for sharpening only. NO noise reduction was applied (NR was off in the camera, also).

I don’t normally venture above 6400 ISO on my camera, but i didn’t often cross-process slides either. Some days it just feels right to be a little abnormal.

Go shoot something differently tomorrow.

Get outside your comfort zone.

___________________

John Scott




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