Roberts Raw!

› archive for July 29th, 2010

Ask Raw: Best Practices for Canvas Prints

It’s time for the first installment of “Ask Raw,” where we answer questions we’ve received from people. Today’s question from Rick is about what settings to use for gallery photos, especially printed on canvas.

I use the Nikon D300 I bought from Roberts and am still learning all the functions. Now I wonder about the best settings to get the gallery sized photo prints (wrapped canvas) that I see st photo exhibitions. Should I shoot in RAW format for extra sharpness. Can you offer me good printing results on such large size? I would like to send my images to consignments galleries and print from you as ordered. Appreciate your help.

We do recommend raw, but it’s not necessarily for extra sharpness. Shooting raw takes a lot of the burden off of deciding how to set most things on your camera. The only settings that genuinely affect raw files are exposure and focus. Your white balance, contrast, sharpness, color gradation, saturation, noise reduction, and so on are just settings to tell the camera what assumptions to make when it creates JPEG files.

The one catch here is that most cameras use the JPEG settings for the image previews you see on the LCD. For that reason, I set my white balance to auto, my color saturation to muted, and if you have the option of auto-gradation, D-lighting, DRO, or any other range extender, I usually turn that on to better represent the full exposure range I’ll have in the raw file.

Now, since we know the in-camera settings won’t matter much since you shoot raw, let’s talk about the next point, which is resolution.

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Shoot to Win: Lime Rock Park’s First Motorsports Photography Workshop

You like it fast, don’t you? Fast and dirty. Motorsports, baby. Horsepower, metal, poly-carbonates, dirt, hydrocarbons, speed. Like me, you know how to set your aperture in relation to shutter speed, pick an upper max for auto-ISO, and try not to screw up the composition.

Lucky you, Roberts is proud to co-sponsor a workshop at Lime Rock Park in Connecticut with an option for one day or two days attendance where you’ll get to work with the best Motorsports photogs in the business and have access to some extra Nikon gear. Hit the jump for the full press release. read more




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