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› archive for July 9th, 2009

What’s In The Art? [Reposted]

So, we spend a lot of time on such matters as reviews, Canon cameras, the search for a wide-lens camera, Indianapolis events like our Expo tomorrow, but today I’d like to take a moment to go a different direction. To address this field from a different view.

“The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.””

That’s a quote from the legendary Henri Cartier-Bresson. If you don’t know who that is, you really owe it to yourself–as a photographer–to look him up. That’s also my one favorite quote about photography. Coming from a background of painting and design, where you start with nothing and end with someting, I’ve always viewed photography as a medium more of recording and interpretation than one of creating. I think Cartier-Bresson’s quote captures that when he admits that the only time a photographer is an artist is when he decides to capture the moment.

So, your turn. What’s your favorite photo quote? Why? I’m going to follow this thread, so please leave your response in the comments and I’ll respond back.

This field is more than equipment, it’s what the equipment does. Let’s have a dialog about that for once.



Olympus E-P1 on Raw Footage

12.3 megapixels, full 4/3 sensor, better ISO performance than my E-3 thanks to the TruePic V processor (which apparently lets them use a weaker AA filter and handle UV cut-off in a way where lavendar flowers don’t look blue anymore), art modes, E-Portrait, digital level (dual axis), RAW, industry-acclaimed JPEG engine, boffo build, blah blah blah. It’s the Olympus E-P1. A “Digital Pen.” It’s neat. As heck. Nick and I are using one tonight. Field report to follow.



Sony Alpha A230 and Alpha A330 Raw Footage

Is that… why yes, yes it is Mr. Nick Henry ramblingly more-or-less coherently for 2 and a half minutes about 2 out of 3 of Sony’s newest DSLRs. The video is, as ever, uncut, unprocessed, raw action the way John Logie Baird intended it. Or maybe not.

Anyway, Alphas A230 and A330 there. Small. CHEAP. Awfully cheap. So cheap the two lens kit for each is well worth the look.



SLR-Gear Reviews Canon 70-200 f4 IS and Olympus E-520 IS

SLR Gear, the reviewing arm of Imaging-Resource for things other than bodies, has apparently begun reviewing IS systems. So far, they’ve hit Canon’s budget L classic, the 70-200 f4 IS, and Olympus’ rather successful E-520 with its in-body IS. Two different IS systems, both toting great and wonderous amazing things. Their conclusions? Neither live up to their full marketing hype, but both seem to do the job they set out to do admirably nonetheless, pulling up to 2.9 (let’s call it 3) stops of sharpness back.

Again, we’d like to remind those of you without much IS experience that it works by countering for how your hands naturally shake at long expsures, IS can’t restore sharpness lost to moving subjects at long shutter speeds. Its use in low light is primarily architectural, if you’re looking to shoot parties and bars you’ll still need higher ISO, faster lenses, or a good flash gun.

Read their findings and whitepapers on IS testing here: http://www.slrgear.com/articles/index.html



Olympus EP-1 Video Proving Difficult, Sony Alpha 230 Video Uploading

Whew. It’s the end of the day. For some reason, naturally, the audio on the EP-1 video once uploaded sounds rather similar to the Mothman communicating in morse code. The Sony Alpha 230 video (and we threw in the Alpha A330, too, and shot it with an E-P1 for even more fun) is uploading, and you’ll be able to check that on our YouTube in a moment, and I’ll post it here tomorrow morning.ew




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